There are many ways to record an acoustic guitar to get a wide range of different sounds, but no matter which techniques you use — and how many mics are involved — here are some things to keep in mind:
Condenser mics are best known for their sound sensitivity, wide frequency response, and phantom power requirements, but what’s going on inside to give them that signature sound? Let’s take a closer look:
Here’s a TV trivia contest. What TV show has been on TV everyday since it’s first episode ran? I think we can all guess the answer…”I Love Lucy”, which premiered on October 15, 1951, and is still running right now, somewhere in the world. There are two reasons the show has been so popular for over 60 years. The first is indisputably great content. The scripts, and acting on the show are timeless. Even in black and white, set in America in the 1950s, the comedy routines are timeless, with Lucy pulling off some of the greatest gags ever written. The second reason we all take for granted. Great production. We watch the show, and don’t even give thought to the magnificent picture and sound quality that remains today.
I was recently invited to present at a conference for tech managers in higher education by Infocomm. It was a very interesting and enlightening day. In the room was a collection of tech managers from universities small and large. In some cases, the person in attendance was the lone member of the tech staff at their university. Generally, those were small campuses. In the case of USC itself, they had a full staff, as the campus is quite large.
I presented on the Connected Classroom, since that is a hot topic for today. Campuses are starting to share their lectures and classes in order to:
I was invited to present audio solutions for video to a group of high school and middle school educators this past week. The group, located in Los Angeles, CA, is a consortium comprised mostly of Los Angeles Unified School District media instructors. The group is called MELA (Media Educators of Los Angeles). My contact there is Antonio Manriquez. Antonio serves at the Executive Director, as well as Video Production teacher in the Hollywood High School New Media Academy.
Programs like the one at Hollywood High School are popping up in high schools all over the country, and I suspect the world. I have been meeting with more and more of the instructors of these classes, and some of the students. It is a dedicated and focused group of people working on supplying the world with the latest content, using the latest production techniques.
The thing that impresses me the most about these educators is their level of devotion to the art of content creation, and their commitment to their students. The particular group of educators I met with at the MELA meeting (about 30 of them) battled L.A. traffic, at the height of rush hour (which is world class jam packed) in the afternoon after teaching all day. They came from all over the L.A. basin, driving as much as 30 miles to attend. This is not a paid or required activity. They have taken it upon themselves to belong to this group to further their skills. They review the latest technologies, trends, and products. There is an open discussion about the challenges they are all facing in their classrooms.
In the new world of unlimited access to the public through IPTV, YouTube, and social media sharing, there is an unquenchable appetite for content. This translates directly into jobs and careers which the students can enter if they have the right skills. These young people will shape, and in some cases already are shaping, the new media
landscape. It’s really encouraging to see these teachers helping their students enter this field, giving them the tools they need to be successful.
We all know that information translates into knowledge. And knowledge turns into power. That means that these students have the power to shape their future through video production. At a very early age, they are stepping up to become the media leaders of our world.
I was proud to be invited to speak to this group. They were hungry for new information on products they can take back to their students, to help make the best videos they can. It was a great way to spend my evening. What I learned was that we as a society are in good hands. These students are our future. And to see such hard-working educators guiding their learning activities made me confident that we are going in the right direction.
Technology for the sake of itself is just noise. When you have a dedicated group of people using this technology to bring the world important messages, you have the recipe for a bright future.
Article originally published in the October issue of AV Technology Magazine
Electronic audio capture is becoming more important in the classroom. With VoIP (Voice Over Internet Protocol), trends in BYOD, and video production in education, there is an influx of “audio novices” setting up learning space systems. While this expansion is certainly good for users, it is a difficult situation for those not expertly aware of the challenges and nuances of audio capture.
The basic goal of audio is to always get the microphone as close to the source as possible. This sounds like a simple task, but in reality is the most difficult aspect of electronically reproducing a sound. So many variables come into play. The producer has to decide how much of the mic can be shown in the picture, if any at all. When multiple mics are used, echo and pickup patterns must be addressed. There are room acoustics to account for. This means that each application is a “one-off”. There is no “one-size-fits-all” mic solution.
Quit often in education facilities, the person setting up the system may not have sufficient experience in audio. The single largest challenge today is educating the audio novice in order for them to better understand what solutions are available and how to implement them. The old adage holds true here: People will accept less than perfect video, but if they can’t hear and understand the audio track, they will shut off the program. Learning objectives will not be met.
This is a basic “how to” tutorial for the novice audio engineer.
Though we are discussing audio in this article, it is impossible to address electronics communications without mentioning video. The days of audio-only communications is quickly disappearing. However, audio is in my mind still the more important of the two, and will always be. If you can’t understand what the presenter or program is trying say, the communication is useless.
VoIP is the accepted term for audio and video over the Internet, and tends to be used for collaborative communications. A one-way program is referred to as IPTV. I think a better term for both as a whole might be IPVAC (Internet Protocol Video Audio Communications). But for the sake of clarity, I will use the accepted industry terms.
Within that term are two subcategories: one way and collaborative. As we use these in the classroom, we need to understand how audio will be integrated. Video is relatively easy to set up, all you need to do is place a camera. Audio is much harder.
This article will address the audio for VoIP and IPTV, as well as recorded programming. The three uses that will affect audio and video solutions for the classroom are IPTV, Collaborative, and the use of recorded video as homework assignments using mobile devices.
With Common Core being implemented nationwide, and the move to create the “Connected Classroom,” understanding how to set up a connected classroom is essential. Adding IPVAC to the education experience will create endless possibilities.
IPTV One-Way Communication
With the right resources and training, anyone can create their own IPTV channel. It’s a great learning tool for the students; not only do they learn how to produce a TV show, they learn about internet marketing and how to drive traffic to a web site. This technology could be used for something as mundane and dated as the “sage on the stage,” or something more engaging. The programming is limited in content only by the creativity of the programmer. A class can set up their own IPTV studio in any corner of the room. The challenge here is that the space used may not be set up as a real broadcast studio with proper sound proofing and echo management. Yet the problems faced are the same as any broadcast studio faces. The challenge comes in when you are using a space as temporary location, managed by a novice audio engineer.
IPTV is great for teaching a media class how to create a broadcast TV program. The audio solutions here are established audio devices such as shotgun mics, lavalieres, and handheld mics. I don’t see anything new here in terms of devices. The twist here is getting a fourth grade teacher to understand enough about audio to properly mic a room. The most effective solution is a wireless lavalier mic for each of the speakers and a mixer. The MXL FR-500WK is an example of this solution. Of course, this may exceed the school’s budget. If that is the case, boom mics may be the best solution.
Huddle Rooms & Collaborative Spaces
Smaller meeting rooms that utilize collaborative communications are now being referred to as “huddle rooms.” I just started hearing this term about a year ago. I believe it’s relatively new. This, in my mind, is the fastest growing trend in the history of communications. We can now have multiple people in multiple locations talking to each other, sharing documents, and seeing each other face to face. It will be a huge benefit for the classroom, as teachers and experts from all over the world can now collaborate and address a classroom, and everyone in the conference can participate in the discussion.
We start with a mental picture of the set up. Everyone in the room is facing the front, where a monitor hooked up to a computer is located. Everyone is watching the person on the monitor. The simplest solution for this application is a single boundary microphone, hooked up through the USB port on the computer. Keep in mind that echo canceling is often included in software solutions such as Lync, Bluejeans Network, GoToMeeting, and Google Hangout.
Once the number of people exceeds eight or 10, and the room expands out to over 25’ by 25’, a multiple mic solution is required. This is where things get much more complicated (and expensive). It will be challenging to get mics in front of each student. A solution may be multiple boundary mics, or individual “stick mics. Once you add multiple mics, each mic needs to have as narrow a pick up pattern as possible, to avoid the same voice being picked up by multiple mics. The goal is for the students to be able to interact with the conference. This could be achieved with a single mic that each student approaches when they have a question. It inhibits a free flow discussion. However, given the large number of students in a classroom, this may be the exact solution that works the best. Ceiling mics can be used. However, they have their own challenges, and may be too expensive and complicated to set up.
There is no perfect solution, or “Magic Bullet.” Each room is different, as are the requirements. It is recommended that the novice hire an audio expert to help design a system.
The Recorded Program & BYOD
BYOD video production is explosive in schools. Most every student has a smartphone (that records video) and computers for editing. It was once prohibitively expensive to require video assignment projects or video production in the classroom. With the proliferation of hand held devices in each student’s hands, it is now possible for everyone to be a filmmaker. But these devices by nature are limited in their ability to record a quality audio track. There are many audio manufacturers filling this need. Many are new companies and a few of the established brands are entering the field. Special products designed specifically for the hand held devices are needed.
If the manufacturer wants to be agnostic, and make a microphone work through the 3.5mm analog jack, a TRRS plus is needed. All mobile devices have this jack for audio input. If the manufacturer wants to make it format specific, and plus in through the digital port, they need either USB or Lightning jack products. Up until now, Android USB ports were only used for data and power. It was announced that next year, some manufacturers will be opening it up to audio input as well. This means that there may be more USB mics designed to work with portable devices in the future.
Mics for Apple products utilize the Lightning Port. However, the user can plug in the Camera Kit Connector, which is a Lightning port to USB adapter. With that, there are some mics that will work. At this time, the Camera Kit Connector will not work on the iPhone.
There are many manufacturers producing mics designed to work through the 3.4mm jack. Different kinds of mics for various applications include a handheld interview mic, a wired lav mic, and shotgun mics.
As these new technologies make their way into the classroom, it is important for the tech deciders in the educational environment to stay on top of new products making their way into the market. These technologies are crucial for the education of the next generation. It’s important that we make the most of them by using the best hardware available. With myriad products available and trends like huddle rooms, even the most experienced tech managers need to familiarize themselves with the new electronic landscape.
(MXL recently introduced a line of mics designed to work through the 3.5mm jack, called Mobile Media. We have a hand held interview mic, a wired lav mic, a shotgun mic, and a boundary mic. We will be adding a four channel battery powered mixer, and a series of 2.4Ghz wireless mics within the year. They have been well received by the market, and are filling the needs of both the casual user and professional who are using their hand held devices for video production.)
Above, the first music video on MTV is now available on Youtube.
There are two media outlets that have changed the way we share and consume our music. First it was MTV. Launched on August 1, 1981 with the song Video Killed the Radio Star, MTV revolutionized the music industry by bringing music videos into our homes 24/7. This created a big demand for content. Bands everywhere went into production of their music videos.
But, the bands still had to have funding to produce their videos and professional representation to get their videos played. In that sense MTV was the same as radio, but with pictures. Not everyone could use it.
The next influential outlet is YouTube. Developed by former employees of PayPal, YouTube launched in February 2005. It allowed anyone with a video and computer to upload their video. Amazing! There was no barrier to sharing your music video with the world…almost.
There was still that pesky task of producing a video.
Enter The Digital Age
As computers became more powerful, video editing software started to come of age. Now, anyone could learn to edit a video on their home computer. Digital cameras and DSLRs became less expensive and easier to use. It was the perfect storm of cost reduction and technology advancement. Shoot a video, edit on your computer, and load it up to YouTube.
The addition of a high definition video camera to your iPhone put a professional camera in everyone’s pocket or purse. With advanced video apps, the transition from professional equipment to affordable consumer products was complete.
Apps, Apps, & More Apps
With the sophistication of iOS apps these days, a lot of your production can be done right on your device. You don’t even have to use your computer. Everything is on your phone.
1. RecoLive Multicam is a superb app that takes four iOS devices and tethers them on a wireless network. The audio track is recorded by the main device. That same device can do live, four-camera production in real time. Then save your video in HD and share it.
2. Want instant streaming? Switcher Studio also does four camera production and streams live to YouTube. This is great if you want to broadcast a live performance.
3. Another handy app is Videolicious. It takes photos and video from your camera roll and creates a slide show. Imagine shooting a series of photos and videos and adding voiceover audio afterwards. Then you upload that video to YouTube.
4. If you are using your iOS device, I recommend Filmic Pro as your production app. It has many professional camera features, such as variable frame rate, variable recording resolutions, and live audio monitoring. It is the live audio monitoring that I like the most about this app. With it, you can monitor the audio as it is being recorded to confirm an adequate audio program. It works great with our Mobile Media mics, which each have a headphone jack on the cable.
There are many more apps to choose from. These are just a few suggestions.
There are so many low cost options, where does an aspiring videomaker begin? First, determine how you want to present your music, and then look for the equipment or apps that will accomplish your vision.
Video didn’t kill the radio star, after all. Video makes the radio star!
The progression of the Audio/Video industry is fascinating. The first broadcast medium was audio only…it’s called radio and it was used primarily in the home. The first visual medium was film, and it was video only.
When they merged video with audio in film it was big. When they merged video with audio in broadcast, they called it TV, and it changed the world.
In the electronics industry, we spend a lot of time talking about video. First it was video itself. Then it was color. Then it was the VCR. Then it was SVHS. Along came High Definition, and it changed the way we treat video. 4K, 8K, 16K, and all those Ks will keep improving the picture. Who knows what else it will do? Only time will tell. (Here’s a cool infographic on the history of television.)
Video is fun. Video gets attention.
No one really talks much about audio. The technology is old, it hasn’t changed much over the years, and it just isn’t as sexy.
But without good audio, life is a silent movie.
People will accept compromised video – grainy, shaky, or low resolution. But if they can’t understand what is being said, they will turn it off.
Whether it’s web conferencing or shooting video, proper mic’ing of the subject makes all the difference in getting the message across.
Rule number 1 in audio is to get the mic as close to the speaker as you can.
Rule number 2 is to keep the mic out of the picture as much as possible.
Rule number 1 and rule number 2 are in direct conflict with each other. What’s a poor audio engineer to do?
That is where the compromise comes in. Use a microphone that picks up the audio, while keeping it out of the picture or in an inconspicuous place. How does one achieve this objective? Pick the best microphone for the situation.
Audio In Web Conferencing
The standard practice in web conferencing seems to be a low resolution web cam with a built-in pinhole mic sitting on top of a monitor hung on the wall. Basically, that means the closest speaker is about 6 feet away from the mic and the farthest is 15 to 20 ft. away. With a low quality mic that far away from the subject, the sound will not be very good. Add to that room acoustics, people talking over each other, and paper shuffling during the meeting, and the result is a web conference that is seen and not heard.
MXL offers various audio solutions that are affordable and bring the sound closer to the subject.
A USB Boundary Microphone is the easiest way to get good sound, without a big mic sticking up in the picture. It will pick up an area of about 25 feet, 180 degrees. In most small conference rooms, that is all that is needed. Place it on the conference table, and the sounds “bounce” off the table and gets gathered up in the mic. There’s no obvious microphone in the camera view so you’re achieving the seemingly conflicting goals of close mic’ing and discreet mic’ing.
USB Gooseneck Microphones are a bit more intrusive but can be placed closer to the person speaking. This is a good solution for a small meeting of four or five people. The MXL AC-400 gooseneck can be used with up to four AC-40EXT extension mics. They look very professional and do not call attention to themselves, and they deliver the sound quality you need.
These microphones will meet the web conferencing needs of most small to medium sized businesses.
Once you get past these options, things get a bit more complicated. In some cases, there is no way around a more complex and expensive solution, especially when the room is larger and there are many more people in the meeting. In that case, a combination of table mics, ceiling mics, and a DSP is probably needed.
Our goal at MXL is to provide low cost, simple, high quality solutions for web conferencing. One thing that has made this possible is the introduction of software programs such as Microsoft Lync, Bluejeans Network, and Vidyo, to name a few. All of these programs have echo canceling built into their systems, eliminating the need for an expensive echo canceling solution built into the mic.
What makes web conferencing so popular is the low cost and simplicity that the digital age has created. It can be done with nothing more than a computer, TV, camera, microphone, and broadband connection. Check out my post on video for web conferencing.
Because of the affordability, small companies are now adding web conferencing systems to their offices. Large companies are expanding them out to all of the conference rooms and offices, instead of just one main room.
In short, if you are in the process of adding web conferencing to your office, remember that your conference is only as good as the sound. Make sure to move that microphone off of the top of the monitor and down closer to the people.
Look for two new boundary web conferencing microphones coming very soon from MXL!
I discovered a new music group that I enjoy very much. The name is Postmodern Jukebox, lead by a brilliant piano player and arranger, Scott Brandlee. He has hit YouTube pretty hard. I’m not sure how long it would have taken him to become known without it, but the visibility certainly helped.
I really like his unique treatments of current songs. But, it’s the simplicity of his recordings that really make an important point. Today, all a group or artist needs is a basic audio recording system and a camera to get discovered. When I think about studio recording, the picture that comes to mind is of John Lennon standing with his young son Sean, pontificating over an extremely complicated looking mixing board. It doesn’t have to be that way to get a good sound today.
This article is intended to be a broad stroke guideline to setting up a home audio and video studio and not a detailed How-To. There are a lot of articles that go into product related details. I want to give you some general characteristics to get you started.
If there is one takeaway I want you to get from this, it is that all music distribution will eventually end up on YouTube and that’s where your music should be if you want to get discovered.
From Forbes.com: Youtube “is the leading online platform for music discovery, as well as the preferred music service for those 18 and younger. In fact, 38.4% of all its video views come from music, and 10 of YouTube’s top 20 channels are dedicated to music, according to the YouTube analytics firm Tubular.”
YouTube and the like have changed the way we consume entertainment in a profound way. When producing music, a plan to add video is a must. There are a number of ways an audio track can be produced these days. There are two basic ways to get a record: you either record in a studio or in a live setting. This blog post is about setting up a studio.
In the past, the only way to get a good audio recording was to rent a music studio. In the extreme cases of A+ talent with plenty of financial backing, that is still the way things are done. They use top notch, state-of-the-art equipment. Now though, more and more start ups are going to scaled-down recording studios or even setting them up in their homes.
What does an aspiring artist need to set up a home recording studio?
The Brains of the Outfit
The centerpiece of a home recording studio is the computer, and the software program. Whether Mac or PC, there are excellent recording programs. Apple computers come with GarageBand built in. It’s free, already on the computer, and adequate for basic recording. PC users have to buy a recording program separately as each PC manufacturer has its own suite of software built in. Whatever you buy, I suggest you consult with an experienced home recording user to get advice on the kind of computer and software that will suit your needs, based on your level of proficiency. One thing is for sure: if you are just getting started, you will upgrade as you gain experience.
Interestingly enough, the microphone is where most musicians and recording engineers consider the most creative aspect of the recording process. It is where everything starts and will change the tone of the recording. The recording can be as simple as a single mic or an entire array of them wired into a mixer.
On the simple side, one USB mic plugged directly into a computer is adequate for a track-by-track recording. The next step up is to use a traditional studio condenser mic with a digital interface. The quality of sound is generally better than a USB mic. It also opens you up to various mics, each with its own sound characteristics.
This is the plug-in device that turns analog signals into digital signals. An artist plugs their microphones and instruments into the interface in order to record directly into a computer. Interfaces come in all price points and can have one input, or multiples. The multiples have mixing capabilities but differ from a full mixing board. An interface can have both mic and line level inputs. An interface is still considered a device for more informal home recording.
Once you get to a more proficient level, you may want a full mixing board, like the ones you see in a recording studio. This gives you the ability to adjust the sound characteristics of each input before it gets recorded. The mix is recorded onto some sort of recording media and later turned into a digital signal after the mix is completed. Some artists prefer to create a “live” studio recording, having all instruments and mics plugged in at one time and then they go back later to tweak the mix.
The weakest link in any system is the cable. Whenever there is a problem in a system, the first things I check are all of the cables and connections. Most of the time that’s where the problem lies. I also find that cable is where most novice users cut corners. I can see why someone would think that all cables are alike…they look alike. But to the experienced recording engineer, the cable makes all the difference in the world.
You don’t necessarily need the most expensive cable, but the difference in cost between a really good one and a not-so-good one is usually not that much. Of course, we recommend Mogami for a number of reasons. Try buying two or three different kinds and compare the sounds. Another thing to pay attention to is the way a cable rolls and unrolls. This is important if you are moving it a lot. The lower quality cables will tend to kink up when they are packed up often. It’s that kink that affects the performance.
A studio monitor is what will play the recording back. This will affect your perception of the recording. No speaker is perfect; each one adds its own sound. That is the physics behind speakers. There is no avoiding it. There are speakers that will scope out to be perfectly flat. That doesn’t mean that they all sound alike. Listen to a number of speakers before choosing one. Remember that everything in the chain will affect the sound. So try and use the same electronics and cables so you are truly comparing just speakers and not full systems. Find the one you like the most, as the sound you are mixing is your vision of the music. There is no such thing as a perfect mix. Perfect is the sound you like the most.
A real studio recording is one in which the room is as “dead” as possible. Sound absorbing tiles will do just that, absorb the sounds, which means that the only sound the mic will pick up is the primary sound. As a test clap your hands. A hand clap will have no echo in a dead room.
A dead room has almost always been the goal of a studio recording. The opposite of that is a “live” recording, where room echo is a part of the sound. It seems that today, the trend is away from a dead room. There are numerous TV shows that are recorded in a live environment. Again, the sound is your interpretation. If you like the sound of a live room, that’s what you should have.
On the other hand, you definitely want to keep unwanted sounds out of the recording. A song with dogs barking and lawnmowers running in the background is not acceptable. Find the quite environment, and decide how much of the room acoustics you want. Items such as sound tiles and reflection filters are items you may want to use.
These are a few suggestions for your audio recording. In the next installment, I will discuss adding video to your creation. It’s the video that will help get the song discovered on Youtube.
Many thanks to Sable Cantus for his contributions to this article. Sable is a higher education instructor of Digital Arts at Goldenwest College in Huntington Beach, where he teaches digital music recording. He is also an accomplished musician, performer, music teacher, and arranger.
This is the first in a series of posts about creating and sharing music yourself.
It’s been 5 years since I joined MXL. I came from the consumer electronics industry, where I spent most of my career in video. I have been an amateur performer all of my life, participating in school plays, standup comedy, and as a musician. I am no stranger to the microphone. But working with MXL has really opened my eyes to all the different ways microphones are used.
I looked at all of the web sites that sell our mics and read the user reviews. It didn’t take long to find out that people were using these microphones in their home studios. I had thought that studio condenser mics were used in, well, recording studios. But the majority of them aren’t. They are being used in people’s homes. I found out that the growth of home recording was exploding. It was because of the growth of personal computers and programs like Garage Band and Mixcraft, and digital interfaces like Steinberg. I knew people recorded music at home, I just didn’t know it was that many people. That discovery raised another question in my mind.
How Are They Sharing Their Music?
The answer to that question is what changed my outlook on our products, and on my approach to everything I do creatively. The answer is YouTube. That technology…those two words, put together, has changed the face of entertainment and communications in a profound manner.
“YouTube is the primary music platform for the 18-34-year-old crowd, the demo YouTube-parent Google calls “Generation C” who discover content online, via computer, smartphone and tablet.” – Forbes
With the advent of YouTube, anyone can share their music. It was one thing to be able to record music yourself, in your home. Before the PC, a musician had to record in a studio. It was expensive and reserved for the serious musician with financial backing. And before Social media, in order to share it, artists needed to have a label to distribute their CDs. Now, with the PC and a mic, anyone can record at home and distribute it to millions!
If a song is played in the woods, and there is no one there to hear it, is it still a song?
With YouTube and other social media, the artist can put their work out for the world to discover. The other side of recording is listening. What was once a complicated process – recording a song, finding a label, and then getting playtime – is now as easy as using a computer.
The Keyboard and The Keyboard
It’s ironic that the same word describes both an instrument used to make music and the object we use to control our computer when we create and share that music. There’s less and less distinction between the two. And MXL is in the forefront of this movement.
Our mission is to design and build quality mics at affordable prices, so that everyone who wants to record their art is able to do so. From the most popular selling 990/991 vocal and instrument recording kit, to the stunning red and gold tube mic, the Genesis, MXL offers a wide range of value priced mics. Each mic has its own unique sound and look.
From the novice to the most experienced recording artist, more and more recording is happening outside of the traditional recording studio. For some, the creative process is enhanced by their surroundings. I like to watch “Live From Daryl’s House,” a show on Palladia, which takes place at Daryl Hall’s (well known from his days with Hall and Oats) home. He invites guest artists into his home to record music. I also saw a documentary on Jeff Lynne (formerly of Electric Light Orchestra). He has a recording studio set up in every room in his house. Each room delivers its own unique sound.
That is what so many artists are doing these days. Music creation comes from the soul. The environment we record in can have a profound effect on the creative process. Add to that the opportunity to share that work via You Tube, and you can now see why home recording is so popular.
We at MXL and Marshall are proud to be a part of that system which allows anyone with a song in their head the ability to transfer it to a recording. In addition to our mics, we have cables (both Sound Runner and Mogami), and now video products to assist in the production and distribution of their art. MXL offers an end-to-end solution for musicians everywhere.
I have come a long way in my understanding of the music recording process in the five years since I joined MXL. It has helped me to lead the product design team and manufacture products that musicians need for today’s recording process. MXL has also come a long way. As we add new products, both audio and video, to our suite of products, we have become a unique brand in the industry. Musicians can look to MXL and Marshall to give them a one brand, end-to-end solution.
Let us help you share your art with the world.